Urban Perception, Natural Reality by David Chops

White Water Gallery is pleased to present Urban Perception, Natural Reality, an interactive installation by David Chops, showing at the gallery from November 23 to December 21, 2024. This exhibition, combining 3-D and 2-D elements such as walk-through structures and paintings, is a collection of artistic works made from a variety of materials and methods, presented with immersive and interactive aspects.

From the artist:

Conflicting environments, difficult feelings, personal lived experiences, social philosophies and sub-cultural identities along with an examination of human civilization, our planet, and outward to the cosmos all inform and inspire these works.

Walk through structures symbolizing the urban, paintings beyond representing nature. Having lived in both cities, and nature I find myself not fully separated, or connected to either. Our civilization, is built on natural resource extraction while disconnecting us from nature, physically and culturally.

The word sculpture, like so many cities have downtown to declare their name and tell you where you are, I have created 3 phrases to declare my perspective and tell you where I am. The quick pace we are leaving our stable and hospitable climate behind and the enormous grief I feel for us all. The manipulative methods used to dictate our fears and desires to us and my internal struggle for liberation from these influences. And how I learned to be happy and sad at the same time. Don’t feel alone in these feelings and struggle.

Skulls symbolizing death, ejecting colour, representing light and life. Through death comes life. From the seasons changing, the loss of a loved one, the collapse of a civilization, a global mass extinction event. In 12 billion years our sun goes super-nova. Look past your nose and open the doors to a cosmic perspective.

Overall, this exhibit invites those exploring and interacting with it to reflect on their own personal experiences and feelings, and consider what fears and desires they have and how they got there. What their relationship is with the natural and urban environments, and what they are to each other. How a larger perspective can change our view of ourselves and of life and death here on earth. And how all of these things are connected, influence and shape each other.

David Chops is a full-time, self taught artist working from his creative space and studio at his rural home in the Boreal Forest of North-East Ontario.

In his youth, as a survivor of poverty, child abuse, drug addiction and homelessness, in an urban setting, he found solace and community in underground social movements. These environments empowered him through a DIY ethos and diverse expressions of creativity and imagination using non-traditional mediums, that continues to have a strong influence on his art. Growing up in a big city, then living in natural environments as an adult, he feels of belonging to both urban and rural settings, but not fully part of either. That said, living with nature is where he thrives as a person and an artist.

Now, as a climate change migrant in Northeastern Ontario, he continues to develop his art practice in a professional, focused, intentional way. As his art career has progressed so has his technique in working with these materials allowing him to skilfully accomplish increasingly ambitious projects. David Chops, draws inspiration from other artists, the work they do, his own story of a difficult but often adventurous journey through life, and an ever evolving need to understand fundamental truths about himself and the world in which he lives.

Working as an artist has always been healing and a source of strength for him as he hopes to share those experiences with others. He is excited about telling his personal story and relating that to the larger, collective issues we face. He is most excited about and currently driven towards work with stencil/spray-paint, salvaged plywood, more word sculptures, large sculptural works, immersive installations, incorporating sound, lighting, interactive aspects, and video projections, and to make an electric vehicle from discarded bike parts and other found items that will become a mobile art piece.

Learn more about this artist and the work he does by visiting him on his website.

Ephemeral Fields by Andrzej Maciejewski

White Water Gallery is pleased to announce our next exhibition, Ephemeral Fields by Andrzej Maciejewski, running at the gallery from September 28 to November 16, 2024. There will be an opening reception on Saturday, September 28 from 1 – 3 pm, which will include an artist talk. Ephemeral Fields is a series of autobiographical diptychs that explore the intersections of modern science, philosophy, and mental health.

On the left-hand side of the diptych are photographs of the artist’s father’s pencil drawings, and each involves an element of ephemeral movement. The artist’s father was diagnosed schizophrenic and died by suicide, leaving 23 small note books with reflections on his life. Five of these books are entirely devoted to “electromagnetic events” and are meticulously transcribed textbooks that include many precise technical drawings.

The images on the right-hand side of the diptych exist in counterpoint and are extracted from mundane everyday objects and occurrences that directly relate to specific events of the artist’s father’s life — occurrences that are rarely noticed, or observed. These small, ephemeral moments are unrepeatable, capturing a moment that can only ever happen once. Shown at microscopic scale, these objects transform into something symbolic, unique and ephemeral. These images are empirical “proof” of theories explained by the numbers, equations and diagrams on left side image.

Paired together, the diptychs speak to the power of legacy, the narrative of autobiography, mental health, particle physics, and the ephemeral nature of existence.

Andrzej Maciejewski was born in 1959 in Poland. He studied at Warsaw College of Photography in Poland, Polish Society of Art Photographers School, and College of Photographic Arts in Ostrava in Czechoslovakia. In 1985 he moved to Canada. He worked as a commercial photographer in Toronto until mid-1990s. He then moved to the countryside in Eastern Ontario and devoted himself entirely to his art. He has published 5 books: Bread (1996), Toronto Parks (1997), After Notman (2003), Garden of Eden (2012) and Weather Report (2016). “After Notman” was a Canadian bestseller and has been widely discussed internationally.

His work has been exhibited at over 60 solo shows in Canada, USA, Poland, UK, Germany, Norway, Latvia, Finland and Uganda. His 2015 series “Weather Report”, involved a series of Camera Obscura images of the same place in different weather conditions, where his 2011 series “Garden of Eden” that has exhibited internationally, explored the form of still life, translating iconic paintings through photography. Maciejewski’s much-lauded 2013 series, “After Notman” involved exact rephotographs of 19th Century Notman’s Montreal views, and his “VIP Portrait Gallery”, that was first shown at The Rooms (NL), explored traditional portraiture lighting and techniques using potatoes as the subject.

His works are found in many private and public collections including the National Gallery of Canada in Ottawa, the McCord Museum of Canadian History in Montreal, and the Preus Museum in Norway, and the Museum fur Kunst and Kulturgeschichte in Germany, among others. He teaches photography in Fleming College, Haliburton School of Art and Design in Canada.