Ephemeral Fields by Andrzej Maciejewski

White Water Gallery is pleased to announce our next exhibition, Ephemeral Fields by Andrzej Maciejewski, running at the gallery from September 28 to November 16, 2024. There will be an opening reception on Saturday, September 28 from 1 – 3 pm, which will include an artist talk. Ephemeral Fields is a series of autobiographical diptychs that explore the intersections of modern science, philosophy, and mental health.

On the left-hand side of the diptych are photographs of the artist’s father’s pencil drawings, and each involves an element of ephemeral movement. The artist’s father was diagnosed schizophrenic and died by suicide, leaving 23 small note books with reflections on his life. Five of these books are entirely devoted to “electromagnetic events” and are meticulously transcribed textbooks that include many precise technical drawings.

The images on the right-hand side of the diptych exist in counterpoint and are extracted from mundane everyday objects and occurrences that directly relate to specific events of the artist’s father’s life — occurrences that are rarely noticed, or observed. These small, ephemeral moments are unrepeatable, capturing a moment that can only ever happen once. Shown at microscopic scale, these objects transform into something symbolic, unique and ephemeral. These images are empirical “proof” of theories explained by the numbers, equations and diagrams on left side image.

Paired together, the diptychs speak to the power of legacy, the narrative of autobiography, mental health, particle physics, and the ephemeral nature of existence.

Andrzej Maciejewski was born in 1959 in Poland. He studied at Warsaw College of Photography in Poland, Polish Society of Art Photographers School, and College of Photographic Arts in Ostrava in Czechoslovakia. In 1985 he moved to Canada. He worked as a commercial photographer in Toronto until mid-1990s. He then moved to the countryside in Eastern Ontario and devoted himself entirely to his art. He has published 5 books: Bread (1996), Toronto Parks (1997), After Notman (2003), Garden of Eden (2012) and Weather Report (2016). “After Notman” was a Canadian bestseller and has been widely discussed internationally.

His work has been exhibited at over 60 solo shows in Canada, USA, Poland, UK, Germany, Norway, Latvia, Finland and Uganda. His 2015 series “Weather Report”, involved a series of Camera Obscura images of the same place in different weather conditions, where his 2011 series “Garden of Eden” that has exhibited internationally, explored the form of still life, translating iconic paintings through photography. Maciejewski’s much-lauded 2013 series, “After Notman” involved exact rephotographs of 19th Century Notman’s Montreal views, and his “VIP Portrait Gallery”, that was first shown at The Rooms (NL), explored traditional portraiture lighting and techniques using potatoes as the subject.

His works are found in many private and public collections including the National Gallery of Canada in Ottawa, the McCord Museum of Canadian History in Montreal, and the Preus Museum in Norway, and the Museum fur Kunst and Kulturgeschichte in Germany, among others. He teaches photography in Fleming College, Haliburton School of Art and Design in Canada.

Hearts of Palm by Melanie Cookson

Join us for an interactive textile installation by artist-in-residence Melanie Cookson, August 10 – September 21, 2024. We will be celebrating the exhibition with an Extreme Denim Party happening Saturday, August 17, from 7 pm on! You are invited to wear your denim, explore the installation, and be a part of the art at 159 Main Street East, North Bay.

About the exhibition:

Hearts of Palm is an interactive textile installation using recycled jeans as the primary material. The jeans are a colour palette devoted to the waters of Lake Nipissing. 

Each little piece of denim symbolizes every possible human being around us in our lives and our surrounding communities. The jeans come from B.C. across Canada to the North Bay region, and represent thousands of deeply loved people that exist with or without our knowledge, yet they have probably supported us in some way. 

This art project aims to create something inviting, playful, raw, and cathartic, in a calming and restorative environment. 

On a personal level, the artist’s work explores the sensations of the human body and mind protecting themselves, and sometimes each other, by separating, shutting down and finding clarity in a new place. It symbolizes a re-working of connection, a new time, a new identity, by taking everything apart first into its singular roles, like learning to read and write again, or allowing our vision to blur and drift into playful abstraction, as an avenue to joy and hope once again.

The bold decision by Executive Director of the White Water Gallery, Alex Maeve Campbell, to fully commit to the artist’s passing notion for the installation to be entirely on the floor allows viewers to take off their shoes, sit down, pull some threads, and move things around in a gallery with bare walls. This work is tough, foldable and durable, and each weekly trip to the cleaners during this residency will add to the physical completion of each piece.

The artist is very grateful for her new community of North Bay and invites everyone to visit and spend time during the live sewing, art-making and installation period. 

The artist would like to acknowledge the generosity of the Ontario Arts Council for supporting this project.

Melanie Cookson (she/her) was born in 1972 in Lillooet, BC. She studied at Okanagan College and Emily Carr Institute of Art and Design, where she began using abandoned and recycled components early on in her work. Her installations require periods of accumulation, destruction, process, and rebirth of sustainable materials, and her goal is to create accessible, positive, interactive and meaningful experiences for communities without adding waste into the environment.